is dropped OROCHI , unfortunately, given the job of preventing travel-time and then launches into a double strand of the program pinku .
S & M HUNTER ( 1986, Shuji Kataoka ) starts the program with a sense of humor, does not annoying to insert a touch of madness when the opportunity presents itself. A film that entertains and whose shape is neat, charming by its excesses, but never forget the erotic side of the project. We also used a final mingling in mind tripped footage. 
The dual program is continuing with YARIMAN ( 2008, Rei Sakamoto ), the latest film presented among pinku . It is easy to understand why the choice fell on it saw the great success that it is. Leaving sides political themes or comedy, we discover a interrelational drama about a couple on the decline. A former conquest of man, already adept adultery, resurfaces briefly and then died accidentally. This event will launch the couple, with the ashes of the deceased, searching for a suitable location for a funeral, the victim had no family. During this trip, the couple will certainly face their problems and visions of things. This may sound summary and some on paper, but the interpretation and staging enhances all to the sublime. Eroticism is also very present and effective in its frankness, its realism and sensuality. With such qualities, we want more of these unknown films here can make in our countries, the findings would be at the rendezvous. 
LIFE IS HOT IN CRACKTOWN (2009) of Buddy Giovinazzo . Giovinazzo comeback after ten years of absence since NO WAY HOME THE and UNSCARRED ! It is believed to be extinct as usual with projects difficult to mount, but I'm learning it actually is the author of novels and has lived for ten years in Germany where he made films for television. Well, I'd be curious to see those, but for now, we are entitled to an adaptation of one of his own novels, short stories, where characters are the focal point. We plunged back into a realistic world difficult where nothing is happy, just observe the daily life in an environment so meticulously unexplored. The setting gives way to the performers whose playing is impeccable high quality and this, from the whole party without exception. The result stands beautifully and takes an uncommon intensity during his final open to some accounts, leaving the viewer to continue the routine unsavory characters whose every action feels. We hope that the wait will not be too long to return to Giovinazzo on screens with a new project.
Next time: SMALL GAUGE TRAUMA 2009, FINE, TOTALLY FINE and THE CANYON.
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