It draws from the vaults of the Film Society Film Society (see here) to start the day with rare screenings of projects.
THE BARN OF LOST TIME (1977) of Stéphane Dupuis & Battista Franco .
Shorts extremely rare where there are only three copies in 16mm, it was conquered quickly and have fun with this parody of B movies in the finals of the most funny, featuring a chicken radioactive giant! The animation frame by frame fabulously accomplished and a palpable love of this kind of cinema is felt at every level. Too bad it's so difficult to find.
THE WHITE REINDEER (1952) of Erik Blomberg . It
enchaine rare copies with this Swedish film out of the ordinary mixed myth of the werewolf and the vampire we present a formidable creature: a woman turning into white reindeer murderer. The whole thing sounds more individual, even ugly on paper, but the atmosphere made by winter locations and beautiful images complete our fill. The soundtrack and the charisma of the lady in question, Mirjami Kuosmanen , are also tasty items. A beautiful discovery that this tale which I was completely ignorant of the existence and I do not think the only one.
ORPHAN (2009) of Jaume Collet-Serra .
The naughty children are back on the big screen, a sub-genre where it is damn tasty. I expected nothing of it, except perhaps the worst, but ultimately you end up with a movie terribly effective in its moments of tension, unhealthy atmosphere in support. A few flaws here and there but nothing major that would ruin the pleasure of discovering the diabolical plans of this newcomer in the family. Interpreters are also quality, managing to pass a few times laughable dialogue, while forming a band very endearing. A surprisingly entertaining.
THE WHITE REINDEER (1952) of Erik Blomberg . It enchaine rare copies with this Swedish film out of the ordinary mixed myth of the werewolf and the vampire we present a formidable creature: a woman turning into white reindeer murderer. The whole thing sounds more individual, even ugly on paper, but the atmosphere made by winter locations and beautiful images complete our fill. The soundtrack and the charisma of the lady in question, Mirjami Kuosmanen , are also tasty items. A beautiful discovery that this tale which I was completely ignorant of the existence and I do not think the only one.
ORPHAN (2009) of Jaume Collet-Serra . The naughty children are back on the big screen, a sub-genre where it is damn tasty. I expected nothing of it, except perhaps the worst, but ultimately you end up with a movie terribly effective in its moments of tension, unhealthy atmosphere in support. A few flaws here and there but nothing major that would ruin the pleasure of discovering the diabolical plans of this newcomer in the family. Interpreters are also quality, managing to pass a few times laughable dialogue, while forming a band very endearing. A surprisingly entertaining.
Next time: CRIME OR PUNISHMENT?!? and NIGHTMARE DETECTIVE 2 .
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